Paul Pretzer

German Russian, 1981

"It is true that in addition

to the formal harmony of the painting,

I particularly pay attention to its ambiguity".

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Daniel Ybarra

Uruguay, 1957

"My grandmother Anastasia was exceptional.

To her I owe thanks for having planted in my soul,

in a light-hearted and loving way my passion for books and the arts". 

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 Katharina Arndt

Germany, 1977

"The figures in my works often wear sunglasses, stick to their cell phones, and have headphones on. 

They are socially highly active and at the same time socially isolated".

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Antonio Ortega

Spain, 1968

"Comfort in my opinion is a weapon against a structure based on the exercise of taste. I use discomfort

as an engine".

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Oscar Martín

Switzerland, 1977

"My work propose an active listening and expansion

of ours perception through the physical-acoustic experience of emergent behavior in the limits

of the chaotic and order structures".

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Victor Gochez

Mexico ,1941

"First I always look for the roots of Mexico

and then for the roots of the character & the figure;

but Mexico is a very mysterious country.

That mystery and ambiguity is always within us".

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Ricardo Milla

Mexico, 1974

"I think that the ideas and the questions themselves usually take the forms that allow them

to communicate in a more natural, organic way".

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Caroline Tschepp

Germany, 1981

"I love to show things you can describe with words.

I more interested not in what I see but in the feelings

I have when I am in a room with someone".

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Gustavo Marrone

Argentina, 1962

"I am interested in using these virtual aspects with techniques and materials that have to do with the physical. When we speak of virtuality, we speak of a dematerialization, which also has to do

with the loss of the physical".

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Evru

Spain, 1946

"Evru is currently trying to stop being; disappear and make the viewers stop recognizing the work".

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Gino Rubert

Mexico, 1969

"I draw, paint, display these characters within the settings I create. It is like generating a theater of passions.

A separate independent world that observes

and questions us."

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Guillermo Pfaff

Spain, 1976

"You start painting long before you put the brush on the canvas. If my painting responds to anything

is to pictorial questions. It is very basic”.

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Yamandú Canosa

Uruguay, 1954

"My work scattered in terms of aesthetic and iconography options, but there are a series of iconic images that are constant. The skull is one of those iconographies that I have visited over the years because it let me face, metaphorically, death".

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Nacho Tusquets

Spain, 1978

"Every painter is negotiating with his own privacy

to paint a picture that is worthwhile.

I simply seek to find an exit for colors and shapes

so at the end I am making a painting".

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Karla Ontiveros

Mexico, 1980

"My language is born from my emptiness, my fears, my delusions, my way of seeing my reality and art". 

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oneandtwo

England, 1968

"When we work the most important elements are the most obvious ones. And the most important is the idea;

the idea is everything".

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